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PART ONE Chapter Two PART TWO A note to fans of Little Golden America: as of issue No. 22, Admit Two adopted a PDF format, which means you will have to access individual back issues to get to further chapters of Ilf and Petrov's American adventure. |
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Chapter
Two…
…The First Evening in New York THE
CUSTOMS SHED at the docks
of the French Line is immense. Under the
ceiling hang large iron
letters of the Latin alphabet. Each passen- ger
stops under the letter with which his surname begins. Here his luggage
will be brought to him from the ship and here it will be exam- ined. The voices
of the arrivals and of those meeting them, laughter and kisses,
resounded hollowly throughout the shed, the bare structural parts of
which made it seem rather like a shop where turbines were being manufactured. We had not
informed anyone of our impending arrival, and no one met
us. We waited under our letters for the customs clerk. Finally he came.
He was a calm and unhurried man. He was in no way affected by
our having just crossed an ocean in order to show him our suitcases. He
politely touched the upper layer of our belongings and did not look any
further. Then he stuck out his tongue, a most ordinary, moist tongue,
a tongue devoid of all gadgets whatsoever, wetted the huge labels
with it and pasted them o our traveling bags. When we
finally freed ourselves it was already evening. A white taxi- cab
with three gleaming lanterns on its roof, looking like an old-fash- ioned
carriage, took us to the hotel. At first we were tormented by the thought
that because of our inexperience we had got into the wrong taxi,
into some antiquated vehicle, and that we were funny and pro- mobiles
with just as silly little lamps as ours were going in all direc- tions
back and forth. We quieted down a little. Later we were told that
these little lamps are placed on the roof, so that the taxi may be more
noticeable among a million other automobiles. For the same rea- son
taxis in America are painted in the most garish colors—orange, canary,
white. Our
attempt to take a look at New York from an automobile failed. We
drove through quite dark and dreary streets. From time to time something
rumbled hellishly under our feet or something else thun- dered
overhead. Whenever we stopped before the traffic lights the sides of
the automobiles that stood beside us hid everything from view. The chauffeur
turned back several times and sked again for the address. It
seemed that he was somewhat anxious about our English. Now and then
he would look at us patronizingly, and his face seemed to say: “Never
mind, you won’t get lost! Nobody ever got lost in New York.” The
thirty-two brick stories of our hotel merged with the rufous nocturnal
sky. While
we were filling out short registration cards, two men of the hotel
service stood lovingly over our baggage. On the neck of one of them
hung a shining ring with the key of the room we had selected. The
elevator lifted us up to the twenty-seventh story. This was the commodious
and calm elevator of a hotel that was not very old and not very
new, not very expensive and, to our regret, not very cheap. We
liked the room, but we did not pause to explore it. Hurry into the
street, the city, the tumult! The curtains of the windows crackled under
the fresh sea wind. We threw our overcoats on the couch, ran out
into the narrow corridor covered with a patterned carpet, stepped into the
elevator, and the elevator, clicking softly, flew down. We looked at
each other significantly. After all, this really was a great event! For the
first time in our lives we were about to walk in New York. A
thin, almost transparent national flag with stars and stripes hung over
the entrance to our hotel. Only a short distance away stood the polished
cube of the Hotel Waldorf-Astoria. In prospectuses it is called the
best hotel in the world. The windows of the “best hotel in the world”
sparkled blindingly, and over its entrance hung two national flags.
Right on the sidewalk, by the wall of the building, lay tomorrow’s newspapers.
Passers-by bent down, took a New York Times or Herald Tribune
and placed two cents on the ground beside the newspapers. The news
dealer had gone somewhere. The newspapers were held down with a
broken piece of brick, quite as it is done in Moscow by our old women news
vendors as they sit in their plywood kiosks. Cylindrical garbage cans
stood at each corner of the street crossings. A considerable flame spouted
out of one of the cans. Someone had evidently thrown a lighted cigarette
butt there, and so the New York refuse, which consists mostly of
newspapers, caught fire. An alarming red light illuminated the pol- ished
walls of the Waldorf-Astoria. Passers-by smiled an dropped re- marks
as they walked by. A policeman, his face set, was already mov- ing
toward the eventful spot. Having decided that our hotel was in no danger
of catching fire, we went on. At
once a slight misfortune befell us. We thought we would walk slowly,
looking around attentively in order to study, to observe, to take in,
and so forth. But New York is not one of those cities where people move
slowly. The people who passed us did not walk, they ran. And so
we, too, ran. From that moment on we could not stop. We spent a whole
month in New York, and throughout that time we were con- stantly
racing somewhere at top speed. Simultaneously, we acquired such
a businesslike and preoccupied air that John Pierpont Morgan, Jr., himself
might have envied us. At our rate of speed he would have earned
approximately sixty million dollars during that month. We earned
somewhat less. In
a word, we started off at a trot. We sped by sings on which in lights were
outlined the words: “Cafeteria” or “United Cigars” or
“Drugs— Soda”
or something else equally enticing yet so far utterly incompre- hensible.
Thus we ran to Forty-second Street, and there we stopped. In
the store windows of Forty-second Street winter was in full swing. In
one window stood seven elegant wax ladies with silver faces. They all
wore wonderful astrakhan fur coats, and regarded each other quizzi- cally.
In another window stood twelve ladies in sports costumes, lean- ing
on ski poles. Their eyes were blue, their lips red, their ears pink. In
other windows stood young mannequins with gray hair, or dapper gentlemen
in inexpensive, and hence suspiciously resplendent, suits. But we
were really not impressed by all this store munificence. It was some- thing
else that astonished us. In
all the large cities of the world one can always find a place where people
look at the moon through a telescope. Here, on Forty-second Street,
we also found a telescope. But it was mounted on an automobile. The
telescope pointed at the sky. In charge of it was an ordinary mor- tal,
jut like the men at the telescopes in Athens, in Naples, or in Odessa.
And his was the joyless manner peculiar to all exploiters of street
telescopes throughout the world. The
moon showed itself in the interstice between two sixty-storied buildings.
However, the curious onlooker, applying himself to the tube, gazed
not at the moon but considerably higher: he looked at the top of
the Empire State Building and its hundred and two stories. In the light
of the moon, the steel eminence of the Empire State seemed to be covered
with snow. The heart turned cold at the sight of this chaste and
noble building glistening like a sliver of artificial ice. We stood there
long, silently gazing up. The skyscrapers of New York make one proud
of all the people of science and of labor who build these splendid edifices.
The
news vendors roared hoarsely. The earth trembled underfoot, and
through the grates in the sidewalk came a sudden gust of heat as if
from an engine room. That was because down there passed a train of
the New York metro—the subway, as it is called here. Through
vents, placed in the pavement and covered with round me- tallic
covers, team broke out. For a long time we could not understand where
that steam came from. The red lights of the advertisements cast an
operatic light upon it. Almost at any moment one expected the vents to
open, Mephistopheles spring out of one of them, and, after clearing his
throat, begin to sing in deep bass, right out of Faust: “A
sword at my
side, on my hat a gay feather; a cloak o’er my shoulder—and alto- gether,
why got up quite in the fashion!” We
again rushed forward, deafened by the cries of the news vendors. They
shout with such desperation that, to use Leskov’s expression, it is
afterwards necessary for a whole week to dig the voice out with a shovel. It
cannot be said that the lighting of Forty-second Street was mediocre. And
yet Broadway, lighted by millions and perhaps even by billions of electric
lamps, filled with swirling and jumping advertisements con- structed
out of kilometers of colored neon tubes, appeared before us just
as unexpectedly as New York itself rears up out of the limitless vacancy
of the Atlantic Ocean. We
stood at the most popular corner in the States, at the corner of Forty-second
and Broadway. The “Great White Way,” as Americans call
Broadway, stretched before us. Here
electricity has been brought down (or brought up, if you like) to
the level of a trained circus animal. Here it has been forced to make faces,
to hurdle over obstacles, to wink, to dance. Edison’s sedate elec- tricity
has been converted into Durov’s[1]
trained seal. It catches balls with its
nose. It does sleight-of-hand tricks, plays dead, comes to life, does anything
it is ordered to do. The electric parade never stops. The lights of
the advertisements flare up, whirl around, go out, and then again light
up: letters, large and small, white, red, and green endlessly run away
somewhere, only to return a second later and renew their frantic race. On
Broadway are concentrated the theaters, cinemas, and dance halls of
the city. Tens of thousands of people move along the sidewalks. New York
is one of the few cities of the world where the population prom- enades
on a definite street. The approaches to the cinemas are so brightly lighted
that, it seems, if anyone were to add one more little lamp the whole
thing would blow up from excessive light, all of it would go to the
devil’s dogs. But it would be impossible to squeeze in another little lamp;
there is no room for it. The news vendors raise such a howl that for
digging the voice out of it would require more than a week, more likely
years of persistent toil. High inn the sky, on some uncounted story of
the Paramount Building, flared the face of an electric clock. Neither star
nor moon was visible. The light of the advertisements eclipsed everything
else. In the display windows, among simple crisscross neck- ties,
small illuminated price tags turn around and go into a balancing act. These
are the microorganisms in the cosmos of Broadways’s electricity. In
the tumultuous uproar a calm beggar plays his saxophone. A gen- tleman
in a top hat walks into a theater, and with him is the inevitable lady,
whose evening gown has a train. A blind man led by a dog moves like
a sleepwalker. Certain young men walk without hats. That is fash- ionable.
Their neatly combed hair glistenes under the street lamps. The odor
of cigars, nasty ones and expensive ones.
At
that very moment, when it occurred to us that we were so far from Moscow,
before us floated the light of the Cameo motion-picture thea- ter.
The Soviet film, The New Gulliver, was being exhibited there. The
surge of Broadway carried us several times back and forth, and flung
us unto a side street. We
knew nothing yet about the city. Therefore, we cannot mention the
streets here. We remember only that we stood under the trestle of an elevated
railway. An autobus passed, and without much ado we boarded it.
Even
several days later, when we began to orient ourselves in the New York
whirlpool, we could not remember where the autobus took us that
first evening. It seems to us that it was the Chinese section, but it is quite
possible that it was an Italian or a Jewish section. We
walked along narrow, smelly streets. No, the electricity here was ordinary,
not like a trained animal. It shone rather dimly, and it did not
indulge in any hurdles. A large policeman stood against the wall of
a house. On the cap over his broad, imperious face gleamed the silver shield
of the City of New York. Having noticed the uncertainty with which
we walked down the street, he came to us; but, receiving no inquiry,
again returned to his vantage point at the wall, ever the stiff and
stately minion of the law. From
one shabby little house came dull singing. The man who stood at
the entrance to the house told us that this was the night lodging of the
Salvation Army. “Who
may sleep here?” “Anyone.
No one is asked his name. No one is asked about his occu- pation
or his past. Here night lodgers receive bed, coffee, and bread free of
charge. In the morning they also get coffee and read. Then they are
free to go away. The sole condition is that they must take part in the
evening and morning prayers.” The
singing that reached us from the house gave evidence of the fact
that at this very moment this sole condition was being fulfilled. We went
in. Previously,
about twenty-five years ago, there was a Chinese opium smoking
den in this dwelling. It had been a dirty and dismal den of iniquity.
Since then it had become cleaner, but, while losing its erst- while
exoticism, it did not become less dismal. The upper part of the former
den of iniquity was devoted to prayer meetings, while below, the
sleeping quarters consisted of bare walls, a bare stone floor, and canvas
folding cots. That odor of coffee and dampness, which is always a
part of hospital and charity cleanliness, permeated all. In a word, this was
an American staging of Gorky’s Lower Depths. In
this bedraggled hall the night lodgers sat stiffly on benches that came
down in an amphitheater toward a small stage. As soon as the singing
stopped, the next number on the program began. Between
an American national flag, which stood on the stage, and Biblical
texts, which hung all over the walls, a pinkish old man in a black
suit jumped like a clown. He talked and gesticulated with such passion
that he gave the impression of selling something. Yet he was merely
telling the instructive history of his life, telling about the benefi- cent
crisis when he turned his heart back to God. He
had been a tramp (“as frightful a tramp as you, old devils!”), he had
carried on horribly, had used profane language (”remember your own
habits, my friends”), he stole—yes, all of that happened, too, alas! But
now it was all done with. Now he owned his own home and lived like
a decent man (“Hasn’t God created us in his own image, in his own
manner?”). Not long ago he had even bought himself a radio receiving
set. And all this he had received directly with the help of God. The
old man talked with extraordinary facility; it seemed therefore that
he was now appearing for at least the thousandth time. He clicked his
fingers, laughed hoarsely, sang religious ditties, and ended up with great
enthusiasm, shouting: “Let’s
sing, brothers!” Again
the dull, humdrum singing began. The
night lodgers were appalling. Almost all of them were no longer young.
Unshaven, with lusterless eyes, they swayed on their crude benches.
They sang submissively and lazily. Some of them could not overcome
the fatigue of the day, and slept. We
vividly imagined to ourselves the wanderings through the fright- ful
places of New York, the days passed at bridges and warehouses, in
the midst of garbage, in the everlasting nebulousness of human de- generation.
To sit after that in a night lodging and sing hymns was sheer
torture. Then
before the audience appeared a fellow as hale and healthy as a
policeman. He had a lilac-colored vaudevillian nose and the voice of a
skipper. He was as bold and jaunty as anyone could possibly be. Again began
a tale about the benefits of turning to God. The skipper, it seemed,
head also been quite a sinner at one time. His fantasy was not great,
however, and he soon ended up with the declaration that now, thanks
go God’s help, he, too, had a radio receiving set. Again
they sang. The skipper waved his arms, displaying considerable experience
as an orchestra leader. Two hundred men ground to powder by
life again listened to this conscienceless twaddle. These poor people were
not offered work, they were offered only God—a God as spiteful and
exacting as the Devil. The
night lodgers did not object. Any god with a cup of coffee and a
slice of bread was fairly acceptable. Let us sing then, brothers, to the glory
of the coffee god! And
the throats, which for half a century had belched forth only horrible
oaths, drowsily began to blare now the glory of the Lord. We
again walked through some slums and again did not know where we
were. With thunder and lightning, trains raced overhead along the railroad
stockades of the elevated railway. Young men in light-colored hats
crowded around drugstores, exchanging curt phrases. Their man. ner
was exactly like that of the young men who in Warsaw populate Krakhmalnaya
Street. In Warsaw a gentleman from Krakhmalnaya is
not considered exactly God’s precious little ewe lamb. It is sheer
luck if
he turns out to be merely a thief, for he might be something much worse
than that. Late
at night we returned to our hotel, not yet disappointed with New York
nor elated over it, but rather disturbed by its hugeness, its wealth, and
its poverty.
[1] Vladimir Leonidovich Durov (1863-1934), scion of a Russian family of circus clowns and animal trainers, was primarily an animal trainer himself who claimed to have established a unique method of training circus animals, based on the principles of conditioning reflexes (Professor Pavlov) and “establishing mutual confidence.” This melange of science and sentimentality Durov called “zoopsychology.” Since some of his clowning acts had been suppressed by tsarist censorship because of their allegedly dangerous political satire, Durov was regarded as a “revolutionary” circus performer—and in 1919 was granted a subsidy by the Soviet government for a Zoopsychological Laboratory, which he founded in Moscow. He published several books on zoopsychology and animal tales for children, by whom he was affectionately known as “Grandpa Durov.”—C.M.
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